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Alfred Sisley River-steamboat and bridge oil painting


River-steamboat and bridge
Painting ID::  89591
Alfred Sisley
River-steamboat and bridge
1871(1871) Medium Deutsch: Öl auf Leinwand cyf

   
   
     

Alfred Sisley Frosty Morning in Louveciennes oil painting


Frosty Morning in Louveciennes
Painting ID::  90105
Alfred Sisley
Frosty Morning in Louveciennes
1873(1873) Medium : Oil on Canvas cjr

   
   
     

Alfred Sisley Effect of Snow at Saint Cloud oil painting


Effect of Snow at Saint Cloud
Painting ID::  97231
Alfred Sisley
Effect of Snow at Saint Cloud
oil on canvas, (37.5 x 45.7 cm). Philadelphia Museum of Art Date 1879(1879) cyf

   
   
     

Alfred Sisley Banks of the Seine near Bougival oil painting


Banks of the Seine near Bougival
Painting ID::  97511
Alfred Sisley
Banks of the Seine near Bougival
1873(1873) Medium oil on canvas Dimensions 46 x 62 cm cyf

   
   
     

Alfred Sisley Banks of the Seine at By oil painting


Banks of the Seine at By
Painting ID::  97731
Alfred Sisley
Banks of the Seine at By
Oil on canvas, 54.3 x 73.3 cm Sterling and Francine Clark Art Institute Date c. 1880-81 cyf

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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